Popular operas in late imperial China were a major part of daily entertainment, and were also important for transmitting knowledge of Chinese culture and values. In the twentieth century, however, Chinese operas went through significant changes. During the first four decades of the 1900s, led by Xin Wutai (New Stage) of Shanghai and Yisushe of Xi’an, theaters all over China exp...(展开全部)

Herself an Author addresses the critical question of how to approach the study of women's writing. It explores various methods of engaging in a meaningful way with a rich corpus of poetry and prose written by women of the late Ming and Qing periods, much of it rediscovered by the author in rare book collections in China and the United States. The volume treats different genres ...(展开全部)

This work offers the first systematic analysis of writings on modern Chinese history by historians in China from the early twentieth century to the present. It traces the construction of major interpretive schemes, the evolution of dominant historical narratives, and the unfolding of debates on the most controversial issues in different periods. Placing history-writing in the c...(展开全部)

美国西雅图华盛顿大学教授，还著有《中华人民共和国基本手册》、《共产党中国的政治参与》等。 美国弗吉尼亚大学政府和外交事务系教授，还著有《共产党国家的开放与外交政策改革》、《从历史眼光看当代中国政治》、《媒体与中国大众》和《毛泽东政治思想的基础》等。

美国西雅图华盛顿大学教授，还著有《中华人民共和国基本手册》、《共产党中国的政治参与》等。 美国弗吉尼亚大学政府和外交事务系教授，还著有《共产党国家的开放与外交政策改革》、《从历史眼光看当代中国政治》、《媒体与中国大众》和《毛泽东政治思想的基础》等。

Marc Andre Matten (Ph.D. 2007, University of Bonn, Germany) is Assistant Professor of Contemporary Chinese History at Friedrich-Alexander University Erlangen-Nuremberg, Germany. He has published extensively on the issues of Chinese nationalism and national identity, including The Borders of Being Chinese – On the Creation of National Identity in 20th century China (German, Harr...(展开全部)